![]() ![]() ^ "Le blog de La librairie Heurtebise".Elements of Impressionism evoked in Debussy and Ravel's Reflets dans l'eau and Jeux d'eau: The theme of water (Thesis). "An introduction to the solo piano music of Debussy and Ravel". A recording by Marc-André Hamelin is noted for its "intriguing interpretive vision". Ī recording by Noriko Ogawa won the Editor's Choice of Gramophone and is noted favorably by Stephen Walsh in BBC Radio 3's Building a Library series. The French musical critic Jean Roy wrote of Claudio Arrau's 1979 recording ( Diapason d'Or n° 266 & 334) as being "unrivalled". Many famous pianists of the 20th century have recorded Debussy's Images, such as Walter Gieseking and Arturo Benedetti Michelangeli. Other sources suggest it may have been inspired by actual goldfish swimming in a bowl, though the French for goldfish is 'poisson rouge' (red fish). "Poissons d'or" was probably inspired by an image of a golden fish in Chinese lacquer artwork or embroidery, or on a Japanese print. The piece is evocative of Indonesian gamelan music, which famously influenced Debussy. The name of the piece, which evokes images of East Asia, was suggested by Laloy, a sinologist. "Et la lune descend sur le temple qui fut" (And the moon descends on the temple that was) was dedicated to Laloy. Rahon was the hometown of Louis Laloy, a close friend of Debussy and also his first biographer. "Cloches à travers les feuilles" was inspired by the bells in the church steeple in the village of Rahon in Jura, France. ![]() It is a perpetuum mobile, meaning that it is built around a continuous stream of notes. "Mouvement" is the most abstract designation of the pieces. It is a sarabande honouring the memory of Jean-Philippe Rameau. Techniques such as arpeggio, pedal-point, staccato, tremolo and glissando are used to depict moving water. "Reflets dans l'eau" is also an example of the new tone colours Debussy discovered for the piano in this part of his life, and it is considered to be one of his greatest works for the instrument. The piece creates an image of water being not quite still, then becoming rapid, then decreasing in motion again. "Reflets dans l'eau" is one of the many pieces Debussy wrote about water in particular, light reflecting off its surface. 3 is an early version of "Jardins sous la pluie" from Estampes (L. 2 is the first version of "Sarabande" from Pour le piano (L. "Quelques aspects de ' Nous n'irons plus au bois ' parce qu'il fait un temps insupportable" (We will no longer go to the woods because the weather is unbearable) in D minor."Lent (mélancolique et doux)" (Melancholic and sweet) in F ♯ minor. ![]()
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